At Town Hall – Show at 8PM (Doors at 7:30PM) playing selections from the new album Walking Shadows. Talk about writing a tune that I couldn’t play, you know. I thought, “Oh, this could work.” Then I used it over the C# pedal, access that low note as a drone when I wanted — not constantly, but referencing it as something to play against — so it has that two-voice thing occasionally. For the next month or so, I , “Oh, what did I get myself into?” Conceptually, it was a real puzzle. That was such a great band, but it’s kind of ignored now. In fact, they’re the only thing on display because The Gleaners is a solo bass album. About Riverkeeper. I like the movement. licks, and then see what happens.”. Playing something more challenging such as the track "Hudson" by jazz supergroup Hudson from its self-titled album (24/44.1 FLAC, Qobuz), the interplay between Larry Grenadier's standup bass and Jack DeJohnette's drums was thoroughly dynamic, with the slapped strings of the close-miked bass cleanly delineated from the hi-hat cymbal and snare hits. Jazz bassist Larry Grenadier to perform benefit for Old Town Hall Larry Grenadier. I am very thankful that D'Addario has taken the time to address the jazz bass player's unique string needs." Some fish species have not recovered, and many remain too toxic to eat; pollution levels spike with every rainfall. You’re waiting for the “Yeah, man,” after the track! Grenadier has a storybook career, from his early days of playing with Stan Getz and Joe Henderson in San Francisco, his work with the Brad Mehldau Trio, and his cooperative trio Fly (with Mark Turner and Jeff Ballard), to his sideman activities with Pat Metheny, Wolfgang Muthspiel, Rebecca Martin, Paul Motian, and countless others. Yeah. You know when it’s happening; the whole bass moves in a different way. Skip to main content Skip to footer site51500000000277919 New L62061 Alliance Larry Grenadier - The Gleaners false. Riverkeeper’s vision is of a Hudson teeming with life, with engaged communities boating, fishing and swimming throughout its watershed. People don’t really talk about that period of Miles. But the Hudson’s recovery is still fragile, still incomplete. There’s a balance of the form and the melody, and there’s enough harmony to get your teeth into. Well no. Taking up 13 tunes, Metheny shows off every nuance of his talents. Epifani 3,632 views. In the midst of SFJAZZ’s four-night celebration of ECM’s 50th anniversary, Friday’s program was all about the bass, both via its bracingly immediate presence and its unexpected absence. Strings German bass (for pizz): Gerold Genssler Gstring, D’Addario Helicore Hybrids D, A,E strings; Benedict Puglisi (for arco): Original Pirastro Flexicore Gstring, Kaplan D& Astrings, Thomastik Estring That’s a way of implying time in a forward momentum, but not being in a strict tempo. I’ll be 53 next month, so it took me a while to even want to do . On “Bagatelle Number 1,” the first few double-stops are very low on the instrument, but they’re really powerful. Larry recently released his solo album The Gleaners, and we talked about the genesis behind this album in this conversation, which originally aired in 2017. Larry Grenadier and John Scofield performed duo in support of Riverkeeper, an advocate that protects and restores the Hudson River from source to sea and safeguards drinking water supplies, through advocacy rooted in community partnerships, science and law. The puzzle became the motivating force to think about the music how can it capture a listener for 45 minutes and be interesting on multiple levels. It’s one of those fun things you can do in the studio, to take advantage of a big room. We’d never actually played that song, but I’d always liked that tune. Your wife Rebecca composed “Gone Like a Season Does.” Is that something you had played with her before, or did she compose it for the album? I love that song so much; I love the minor blues vibe in the first part, and how it goes to another key in major. Barth is smart and tasteful all the way through both as a pianist and as arranger (check the harmonically rich beginning of "Too Close for Comfort") and the players contribute heartily to the overall sound. In 1966, the Hudson River was dying from pollution and neglect. He mentioned once after a recording. Letra de "Country" de "Lonnie Mack" en: SonicoMusica.Net música online Paul’tune was something I had played with him The two pieces work well together. For the past 10 years Larry Grenadier has been teaching at the Jazzcampus Basel/Switzerland (University of Applied Sciences and Arts Northwestern Switzerland). I knew I wanted to do one tune of hers that would complement the record. Now Grenadier joins the ranks of these celebrated players with his own set of brilliantly conceived and impeccably executed solo double-bass tracks 2019, Grenadier’s intonation, tone, and expressiveness is quite an achievement, and it’s one of the best records in its category that I’ve heard in a long time. I love these low double-stops, because usually we don’t play down there. With Larry Grenadier, Bass Is the Place. With “disciplined artistry and a poet’s gift for illumination” (All Music Guide), bassist Larry Grenadier is among the most respected and in-demand instrumentalists in jazz, a 25-year veteran of pianist Brad Mehldau’s epochal trio, and an artist with a lengthy connection to SFJAZZ.He performs an evening of material from his 2019 ECM solo bass album The Gleaners. (Only half of the tracks have strings; a few pieces are for trio, and one is a duet.) That makes those two tunes stand out, “Woebegone” and “A Novel in a Sigh,” where all of a sudden you hear two or three basses and it’s like choir has arrived. You were overdubbing some on that track, with multiple bass tracks. There he studied and played with luminaries including Larry Grenadier, Dave Holland, Joshua Redman, Kurt Rosenwinkel, Jorge Rossy and others. The “Pettiford” track is because I can hear Pettiford in your performance, but it has your stamp on it. This title came out of seeing a documentary by the French filmmaker Agnes Varda, called The Gleanersand I, about modern-day gleaning. Learn to play the double bass with our step-by-step video courses by Jason Heath, Marcos Machado, John Goldsby, Adam … This “best of” episode features our conversation with the outstanding jazz bassist Larry Grenadier. My teaching concept at the time (gleaned from my musical mentor, Jamey Aebersold) was simple: Teach what you know. It’s somethingI’ve practiced over the years. Thatpart of using alternate tunings — the discovery of how the bass resonated in different tunings, and how to bring that out. I love that aspect of the instrument; it’s such a natural, beautiful part, and when it’s solo bass, you can accentuate it. Along with drummer Jeff Ballard and saxophonist Mark Turner, Grenadier is also a member of the acclaimed cooperative jazz trio Fly. Joshua Redman’s May 7, 2013, release, Walking Shadows (Nonesuch), is a collection of vintage and contemporary ballads and Redman’s first recording to include an orchestral ensemble. I had never really done that, except for maybe overdubbing something. Let’s talk about the track “The Gleaner.” You use an alternate tuning. I can’t claim to have taught Larry much at the workshop that week, but we hit it off. Another thing that strikes me is your mastery of intonation with double-stops, like on “Oceanic.” You play double-stops all over the bass, and they’re all in tune. Let’s talk about how James Farber recorded your fantastic tone. In February 2019, ECM Records will release Grenadier’s first album of solo bass. I had some references, but not that many. Enjoy! Larry Grenadier and John Scofield will perform duo during the Riverkeeper virtual gala on September 15, 2020. By Andrew Gilbert, October 29, 2019 . Because their catch reeked from oil spilled daily into the river, they banded together to use a decades-old federal law to the tide from ruin to recovery. Play On: Find what inspires you and make music Shop Now. They’d come in and collect the leftovers from the fields, and it reminds me of how we learn to play music: We glean bits of information along the way from various sources. Basses used on The Gleaners Arco, German bass played by Grenadier since 1994; pizz, bass made by Benedict Puglisi of Melbourne, Australia. Oscarhad a wide variety of ways to get a sound out with his right hand.was definitely coming from that original old style, where he’s almost slapping it or pulling the strings out a bit more than we would. I was trying to find different sounds to provide a pathway, a journey for the listener. Recording Artists Black/Note and is currently the Artistic Director and leader of the Marcus Shelby Jazz Orchestra, the Marcus Shelby Septet, and the Marcus Shelby Trio. Listen to Larry Grenadier’s ECM album The Gleanerson Apple Music: HERE, On his new ECM album, alternate tunings, Oscar Pettiford, Anton Webern, studio techniques & the loneliness of recording solo. From a scat intro accompanied only by Larry Grenadier on bass, Corral bursts forth in a lovely celebration of freedom on "I've Got No Strings". Did he write those for you, or were you playing those tunes in his band? I just love that period of ’Trane. In jazz news, we talked about the specifics of the jazz scene there and about the new album poens, which was also attended by his teachers, Jeff Ballard and Larry Grenadier. According to bat, he is at the Jazz department in Basel, where he studied, to know the same enthusiasm for the cause, as, for example, at a similarly focused jam in Brno. The trio recording Driftwood with Brian Blade and Larry Grenadier garnered huge critical praise and in 2014, Muthspiel was given a contract for his own concert series at the Konzerthaus Wien. And that could be inspired by external things, what I was reading, or seeing a movie or person. Now I can hear him and say, “Wow, that’s amazingly beautiful and skeletal and bare-bones, with just the essential things.” The seed of this little vignette comes from one of his pieces. As one of the most admired, accomplished bassists working in jazz today, Larry Grenadier has been praised as “a deeply intuitive” musician by The New York Times and as an instrumentalist with a “fluid sense of melody” by Bass Player magazine. About a month ago, a friend of mine turned me on to an incredible video by upright bassist Larry Grenadier. [Composer Anton] Webern was somebody I’ve been listening to the past few years. At that point in my teaching career, I could play strong quarter-notes, in time, with a pretty good sound and decent intonation. Titled The Gleaners, it presents a brace of originals by the bassist alongside pieces by George Gershwin, John Coltrane and Paul Motian, as well as a pair of works written especially for Grenadier by guitarist, longtime friend and fellow ECM artist Wolfgang Muthspiel. Today, pollution levels are down, and swimming and boating are back. Today, Riverkeeper continues its fight, seeking out polluters and teaming with citizen scientists and activists to reclaim the Hudson River. For the bowing stuff, that was fun to experiment with, because I had never really done that. Also, the way ’Trane was playing at that time was inspiring. It wasn’t planned to be a medley, but they were in the same key, and it flowed. Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the 1990s. Redman’s June 4 performance at the historic Town Hall in New York City, part of the 2013 Blue Note Jazz Festival, will include the same quartet featured on Walking Shadows—longtime collaborators And then he could also play it like Ray Brown. Grenadier also includes an instrumental interpretation of a song by his wife, and frequent collaborator, the singer-songwriter Rebecca Martin. I should be able to play it, but to play it consistently and in time — it brought out stuff that I needed to work on, which was great. And it was like, Wow, I’ve gotta practice this! I went the other direction, but there was “Woebegone,” and then there’s a short tune at the end of the album that was a bunch of overdubs [“A Novel in a Sigh”]. Tickets are $10. They sound great bowed as well. “Compassion/The Owl of Cranston” combines a John Coltrane tune and a Paul Motian tune. Live amplification Schoeps CMC6, Grace Design mic preamp into a powered 12" monitor. Most of what I practice is classical music, and some specific pieces that I’ve worked on for a long time incorporate double-stops. It’s trying to get the bass to resonate. His intuitive, probing style has made him a celebrated, in-demand sideman since the 1980s. It wasn’t standardized until fairly recently. came at the right moment, and it was really educational thing. But I wanted to make a record with a minimum of overdubs, just to have that challenge. Grenadier will perform his solo work throughout 2019. When I watch Pettiford, he’s the old-school right hand, where it’s sort of a paddle board or something bouncing up and down. Here, Redman leads a quartet featuring pianist Brad Mehldau, bassist Larry Grenadier, and drummer Brian Blade. I did the arco stuff in another part of the room with mics very far away. Larry talks about his three double basses, where they're from and advantages of each including his travel bass. Postbop Sax, Plus Strings. Is it a 4/4, 3/4 grouping? A lot of bass players don’t record that much as leaders, and I think it’s mainly because we find ourselves in situations where we feel like we can express ourselves and make our music that way. When I told him, he said, “I’ll write some stuff for you,” so he came up with those two tunes for me. So, you wrote a tune dedicated to Pettiford based on his composition “Laverne Walk.”. It overwhelms you, it’s so clear and powerful. The overdubbing was something that I had to think about: whether I wanted to do a record with lot of overdubbing, which is obviously a possibility. Over a performing and recording career that spans now three decades, it has been not only Grenadier’s instrumental virtuosity and instantly recognizable tone that have made him such an in-demand collaborator but also his uncommon artistic sensitivity, imagination and curiosity. Naming jazz tunes is such a bizarre thing. For me, it basically ends up being about what I was thinking about while getting a tune together. You’re waiting for something to react to, but it never comes. READ Larry Grenadier Biography, Purchase TICKETS for Larry Grenadier’s solo bass concert on Tuesday, 1/26 at 8:00pm performing music from “The Gleaners” (ECM). ... Bass Amp and Strings - Duration: 6:45. Did you practice double-stops in particular? The Gleaners was recorded at Avatar Studios in New York by engineer James Farber, with ECM founder Manfred Eicher producing. Available with an Apple Music subscription. On the track “Vineland,” you use some spiccato technique, bouncing the bow off the string. I’m pretty sure the mic was a [Telefunken] C12 on the bass, and then maybe a [Neumann] U 47; I really don’t remember. In the liner notes, Grenadier writes, “The process for making this record began with a look inward, an excavation into the core elements of who I am as a bass player. I was […] Legends Gary Peacock, Dave Holland, Miroslav Vitous, and Barre Phillips have graced the bass world with their solo recordings on the ECM label since the ’70s. (Click on the links below to take you to YouTube to watch their full performance), Larry Grenadier and John Scofield will perform duo during the Riverkeeper virtual gala on September 15, 2020. PURCHASE and READ press. In 1966, the Hudson River was dying from pollution and neglect. Even in his mid-teens, Larry already had a strong foundation on the double bass: solid walking skills, a good command of the instrument, and a mature ear for the jazz language. You’ve got a couple of tunes from Wolfgang Muthspiel on the record. It’s also welcomed such groundbreaking solo bassists as Stefano Scodanibbio, Arild Andersen, Barr Phillips, Larry Grenadier, and Eberhard Weber. There’s one track called “The Gleaner.” Does the title have a special meaning for you? For concert dates, VISIT, Larry Grenadier “The Gleaners” (Long Form), Larry Grenadier “The Gleaners” (Short Form), Larry Grenadier “The Gleaners” (400 Words), “The Gleaners” ECM (Available February 2019), Larry Grenadier solo bass at the Village Vanguard in January, Watch Larry Grenadier and John Scofield Duo Live, Larry Grenadier and John Scofield Duo to support Riverkeeper, Larry Grenadier offers private online lessons for limited time only, Bass Entry Exams Jazzcampus Basel/Switzerland (University of Applied Sciences and Arts Northwestern Switzerland), Jazzcampus Basel/Switzerland (University of Applied Sciences and Arts Northwestern Switzerland), Larry Grenadier’s Solo Recording “The Gleaners” ECM Records. I think it goes from one bass to two, and then there’s a solo blues section — that’s three basses, pizzicato. That was tuned F#, D, G, D, going from high to low. Everything came out of the melody and the rhythm of the melody. Such a great bridge from swing to bebop. Grenadier plucks his strings but in a manner that suggests that he is playing a guitar, banjo, or mandolin. I had been doing albums with him over the past 15 or 20 years. And then there are some arco basses at the end. Comments. You also recorded a Gershwin tune. I was reading a book about the history of the double bass and all the different tunings. So, the music grew out of the conceptual puzzle. David Gross has expanded his list of instructional books by revisiting his earliest book with Very Bassic Bass and publishing the new method book Learning the Fingerboard of the Six-String Bass: Patterns and Permutations Using The Major Scale.The latter was inspired by the great jazz bassist Larry Grenadier. It’s a bit like the way classical players play pizzicato, where they pull the sound out. I tried to listen to his music many years ago, and I couldn’t find my way. Those were both a little tricky to get the way I wanted them. For the first hour or so, we experimented with where to stand in the room. Tickets for the event are available to purchase by visiting this WEBSITE. Percussionist Bill Stewart and Brad Mehldau bassist Larry Grenadier comprise the other two thirds of the trio and admirably keep up with Metheny stride for stride, which is no small task at many points on this CD. Please click on the image below to choose the best available date and time. So, it became more like an étude, really. I have to tell you how this book came to be. Right, the journey of learning more about the instrument and learning more about what music means to me. Grenadier has created an expansive body of work in collaboration with many of the genre’s most inventive, influential musicians – from early days playing with sax icons Joe Henderson and Stan Getz to what has been decades performing alongside pianist Brad Mehldau, from extended experiences working with the likes of Paul Motian and Pat Metheny to co-leading the cooperative trio Fly (with Mark Turner and Jeff Ballard) and quartet Hudson (with John Scofield, John Medeski and Jack DeJohnette). In this time, he has built a diverse and accomplished biography. That helps a lot when you’re playing by yourself, and it worked with that tune. The vibe on this track is heavy because ita very impressionistic sound that takes over quickly, and then it quickly dissipates. L. arry Grenadier grew up—literally—at the Stanford Jazz Workshop, and has been a regular performer and teacher here ever since. A lot of it is with George Duvivier and Art Taylor, but quite a bit is with Oscar Pettiford, and it’s incredible. The clarity of his technique was amazing; every recording of him, whether live or in the studio, always has that perfectly clarity. It’s not “I’m gonna play a few choruses on ‘Laverne Walk’ and then a couple O.P. Shelby was bandleader of Columbia Records and GRP Impulse! At that time, the Hudson River fishermen decided they had enough. He was a workshop student, about 15 years old, and I was 22 — a fledgling teacher. The second track on the album is your tune “Pettiford.” Oscar Pettiford is one of the first bass players who struck me as having that clarity, back in the ’50s, where every note he played had a center to the pitch. You have to get comfortable with that. –BM, Basses used on The Gleaners Arco, German bass played by Grenadier since 1994; pizz, bass made by Benedict Puglisi of Melbourne, Australia, Strings German bass (for pizz): Gerold Genssler Gstring, D’Addario Helicore Hybrids D, A,E strings; Benedict Puglisi (for arco): Original Pirastro Flexicore Gstring, Kaplan D& Astrings, Thomastik Estring. “Yeah, man” — you’ve got to say it yourself! They’re harder to play, because the spacing is pretty big. I just wanted to see how low I could go. Being able to sit down with outstanding artists and thinkers like Larry Grenadier is one of the true pleasures of doing this podcast.. Larry is a longtime member of the Brad Mehldau Trio and Pat Metheny‘s group, and has recorded with Paul Motian, Charles Lloyd, Enrico Rava, Danilo Perez, Chris Potter, Joshua Redman, Kurt Rosenwinkel, and many others. I’ve always loved Miles Davis’ version with Gil Evans, and this one has subtle references to different Miles versions. Other professors there include Mark Turner, Jeff Ballard, Lionel Loueke, Guillermo Klein, Wolfgang Muthspiel, Jorge Rossy and many others. Being in the studio alone is a trip. His sound had changed, and his vibrato changed on the later records. SFJAZZ. I love that way of playing and the way the time flows. He has worked with Gary Burton, Youssou NDour, Gary Peacock, Dave Liebman, Paul Motian, and dozens more, and has pu…. I knew I didn’t want to do a solo bass record and play a bunch of tunes in tempo with the bass playing the melody, then soloing, and then playing the melody. ometimes would write changes to some of his tunes, but they were never referenced at all. Larry Grenadier is offering private online lessons (a Zoom link will be provided) for a limited time only. I ended up facing one of the walls; I was eight feet or six feet from a wall. The school offers students a unique opportunity to study with some of the best jazz musicians in the world, state of the art facilities and a centralized location in Europe. June 2, 2013; ... His rhythm section — the drummer Brian Blade, the bassist Larry Grenadier and the … I came upon this great Bud Powell thing on iTunes, which I think is just called Birdland 1953.It’s about 40 tunes of Bud playing at Birdland that year with different trios. West Stockbridge — The West Stockbridge Historical Society will present jazz bassist Larry Grenadier Saturday, Aug. 3, at 8 p.m. at the Old Town Hall, 9 Main St. I like her writing because it’s coming from a different world, but it shares this musicality and balance that I love in great jazz composers and any composers, really. I recorded in New York. I first met Larry in the early ’80s at a jazz workshop in San Jose, California. I always really dug working with him musically and personally. Those considerations brought me into different technical thingsthe practicing to get ready for it. David Gross shares… Is this just another fingerboard chart? But you made it your own thing, which is hard to do when playing tribute to a bass player like Pettiford. On the G string, I think it’s called Pirastro Original Flexocor, and then D’Addario Kaplan on the D and A. I think the Estring was just a Thomastik Spirocore. As on Trio 99-00, Metheny's bandstand has Larry Grenadier and Bill Stewart beside him, and they burn from start to finish. Joshua Redman Quartet with Brad Mehldau, Larry Grenadier, Brian Blade & the orchestra The Knights. For the pizz stuff, it was a G string that Gerold Genssler in Berlin makes, and then the bottom three were D’Addario Helicore Hybrids. I tuned down. I was recording with Wolfgang when I decided to do this album. Grenadier plucks his strings but in a manner that suggests that he is playing a guitar, banjo, or mandolin. Watch Larry Grenadier perform his composition 'Pettiford' which is based on the changes to Laverne Walk by Oscar Pettiford. Paul’s writing is great because it’s so open to what the soloist wants to donce the melody stopsyou’re left with this beautiful melody that becomes the source of the solo. I wanted it to be more like a guitar, like a singer–songwriter guitar-picker, you know. They combine the warmth associated with gut strings with the presence and quickness of metal strings. I remember sitting with my clinician colleague Todd Coolman in the audition room when Larry played for us, and thinking, “What can I possibly teach this kid?” Larry ripped through “There Is No Greater Love,” in thumb position. The first time I heard that tune was when I saw Miles he came back in 1980 or ’81, and Marcus Miller was playing; there’s one Marcus bass line I play, because it’s so great. Sadly, America’s “First River” had become little more than an industrial sewer. How did that come about? But it’s very clear, and the sound pops out.’the coordination between his right hand and left hand, and that’s challenge for a lot of bass players. Welcome to the site of Jazz Bassist Larry Grenadier. Also, as a composer and a musician, he’s amazing to me. Grenadier’s deep melodic, harmonic, and rhythmic senses are on full display on the effort, which acts as a sort of self-portrait. 14K likes. [Laughs.] String ensembles on the roster include the Danish String Quartet, the Rosamunde Quartett, Vilde & Inga, and the Keller Quartet, to name a few. I should have! This was the founding of the Hudson River Fishermen’s Association – now Riverkeeper. And, we also work to ensure that over nine million New Yorkers have clean, safe drinking water. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Meanwhile, the warm, liquid tone of Brad Mehldau’s piano came across intact, and Larry Grenadier’s standup bass displayed excellent extension and enough definition that I could visualize the strings being plucked. How was it being in the studio alone, the engineer and producer present and no other musicians around? Mammoth cuts in government spending threaten to reverse a half-century of water quality gains, and we face the challenges of antiquated power plants, climate change, and emerging, harmful pollutants. Our paths have crossed regularly through the years, and it’s been an inspiration to Larry developinto one of the great jazz bassists of our time. “Learning The Fingerboard Of The Six-String Bass” by bassist and author, David Gross. I like that sound of the bass. Tickets for the event are available to purchase by visiting this WEBSITE. It was a search for a center of sound and timbre, for the threads of harmony and rhythm that formulate the crux of a musical identity.” When I found out recently that we were in the same time zone, I jumped at the chance to catch up with Larry and ask him about his new album. You and Manfred came upon the idea of recording a solo bass album. I guess I did that with the Pettiford tune: playing through the changes, but more freely, and then finally getting the tempo to another point. Discover Double Bass, Leeds. Right. Although he seldom takes on private students, Grenadier teaches a few times per semester at the Basel Music Academy in Switzerland. Pat Metheny's brought a string of trios to bear on his music, none of them lasting as a touring band long enough to bring a session like Trio Live to life. You hear a really noisy club — it’s surprising how noisy it was — and Oscar presses the notes out there. It hasmovement, but it’s not in a specific tempo. You’ve probably seen that video him and Attila Zoller playing Oscar’s tune “The Gentle Art of Love.”. To summerize, you will not find a more eclectic set of music that is still purely jazz by any other jazz guitar trio anywhere. So, everything was kind of counter-that. The notes are low, and there are some really close minor-2nd intervals. Danny also tours regularly with Gordon Webster, records session bass, and serves as a first-call bassist in Western New York. Gleaning was what poor people would do after the wheat had been harvested. The admission process is now open for the 2020/2021 academic year. Yeah, it’s mostly 7/8, but then it has a little 5. I used two different basses: one bass for arco, and one for pizz. I’ve always practiced with a bow, but I’m not an orchestral bow player at all, there are all those different techniques. I think all these guys have a vocabulary of different techniques in order to make it work in the moment. Speaking of other techniques,the track “Woebegone”reminded me of Red Mitchell a bit, because it sounds like you’re strumming the strings. Run-down factories choked it with hazardous waste, poisoning fish, threatening drinking water supplies, and ruining world-class havens for boating and swimming. I was definitely not thinking about doing a solo bass record, but it seemed like the right sort of challenge I wanted to take on at that moment, so I said yes.
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